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Paranormal Review Photography Competition finalists.http://ruickbie.com/index.php/2017/08/31/the-finalists/ |
Kon Markogiannis is an experimental photographer, collage artist, philosophical poet, independent researcher and spiritual seeker with an interest in gnostic themes such as death, mortality, the human condition, the exploration of the psyche and the evolution of consciousness.
Thursday, August 31, 2017
Paranormal Review
Thursday, June 22, 2017
Friday, June 2, 2017
Alternative Reality
Thursday, May 11, 2017
Archive: Soul Vessels
(A building)
is nothing else but a “life tool”, a
“life vessel” (a temporary refuge for the human body).
-Aris Konstantinidis
Archive: Soul Vessels is an experimental project comprised
of found ephemera and photographs which form a quasi-fictional architectural-psychogeographical
archive. The term “soul vessels”
was inspired by Greek architect Aris Konstantinidis who coined the phrase “life vessels”
to describe buildings as functional spaces whose sole purpose is to serve human
needs.
The work challenges the
“traditional” concept of the archive: it is not only “important” and
“celebratory” photographic moments that are worth collecting and assembling. The emphasis is on ideas concerning
day-to-day living, the burden of constant wear-and-tear, and the inevitable damage and erosion of all
objects and living beings.
In a
certain sense Archive: Soul Vessels is an attempt to rewrite and re-register
reality, as if creating an array of urban portals which open onto a plethora of
mental spaces. Through this meticulously assembled pseudo-archive the deepest
strata of the imagination can be explored: imprints of past realities, which
are fused into the photographed relics, are rediscovered and reinterpreted generating
new auras of the unknown.
-Text by Spyridon Kaprinis
Friday, May 5, 2017
Archive: Soul Vessels
"The various definitions
of congruence describe a situation where a state of harmony and agreement is
perceived or achieved. There is a governing notion of similarity, albeit a
strange one: it is not a complete equivalence, nor a complete disjunction. Furthermore, in psychology, the concept of
congruence is more related to «genuiness», realness and to interpersonal
relationships that are true and «transparent», having no «front», no facade... In
architecture and design, congruence can be encountered and perceived as a
transcendental trait, which has the capability of being constantly adapted and transformed, according to any specific
situation or design problem that must be faced and tackled."
Text by Spyridon
Kaprinis
Wednesday, May 3, 2017
Fraction Magazine Issue 98 (Ninth Anniversary Issue)
Fraction
Magazine features the best of contemporary photography, bringing together
diverse bodies of work by established and emerging artists from around the
globe.
Sunday, April 23, 2017
Artists Inspire Artists
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Divine Decay featured in “Artists Inspire Artists”.
http://artistsinspireartists.com/mixed-media/divine-decay-kon-markogiannis |
Thursday, March 23, 2017
The Visual Armistice
Three images selected for “The Visual Armistice”,
Plates to Pixels
Annual Juried Showcase.
http://platestopixels.com/blog/the-visual-armistice/ |
Wednesday, February 1, 2017
Friday, December 2, 2016
LensCulture
LensCulture
is one of the most authoritative resources for contemporary photography from
around the world. It is committed to discovering and promoting the best of the
global photography community.
Wednesday, November 16, 2016
KONMARK IMAGES WORDS
Blog covering multiple topics such as ancient and contemporary art, sacred sites and architecture, experimental photography, existential and perennial philosophy, world mythology and folklore, transpersonal psychology, parapsychology and the occult, eastern and western poetry and literature, world cinema, meditative music, alternative history and archaeology, comparative religion, esotericism, hermeticism, mysticism, contemporary spirituality, integral theories, psychedelic research, science and the evolution of consciousness.
Friday, September 23, 2016
Monday, August 29, 2016
Saturday, August 13, 2016
ArtGemini Prize 2016 Exhibition
Wednesday, July 20, 2016
Tuesday, May 17, 2016
Monday, April 25, 2016
Divine Decay
“Despite wide recognition that art has an
important commercial aspect, art sustains its cultural image as an essentially
sanctified domain of higher spiritual values, beyond the realm of material life
and praxis”. [01]
-Richard Shusterman
Divine Decay is a series of photographic/mixed media
constructions informed
and inspired by holy texts, illuminated manuscripts, death memorials,
alchemical/occult symbols, sacred geometry, religious icons and Renaissance
panel paintings. The work deals with memory, remembrance and decay and tackles issues such as
spirituality which is often neglected but also essential for the well-being and
inner balance of the individual in our hypertechnological and increasingly
materialistic society.
The gritty
and damaged appearance of the images alludes to fragility, mortality and the
transient nature of earthly existence. Although
such subjects are generally perceived as rather morbid and depressing,
reflection on their significance could prove to be an illuminating way of
reflecting on life. Photography is a
medium often associated with death and impermanence: in her influential book On Photography Susan Sontag suggests
that “all photographs are memento mori.” “A photograph,” she says, “is (participation) in another person’s (or
thing’s) mortality, vulnerability, mutability.” [02]
The use of
photographic portraiture intends to affect the viewer on a visceral and
spiritual level: quite often a face has been described as “the mirror of the
soul” and even today some cultures believe that a photograph somehow
captures the soul of a person. The combination of portraits with religious iconography, holy texts and
various esoteric symbols suggests that death may not be a definite full stop
but -perhaps- a gateway to another kind of existence. According to many
religions and wisdom traditions life on earth may be perceived as a
gift, a learning experience or a kind of journey. The father of analytical
psychology C.G. Jung
(who combined various fields of research such as religion, mythology and
alchemy) believed that the human psyche has a relatively trans-spacial and
trans-temporal nature. As he has argued, “we are not completely subjected to
the powers of annihilation because our psychic totality reaches beyond the barrier
of space and time.” [03]
Life after
death as a concept is somewhat incomprehensible, ungraspable and unfathomable.
Nevertheless, it is perhaps something we ought to consider and prepare for. The
aim of Divine Decay is to remind us both of our finitude and
our potential immortality: via playful combinations relationships are formed which result in a kind
of alchemical synthesis of various elements which seek to communicate with the viewer on an aesthetic, esoteric and
spiritual level.
References:
[01] Shusterman R. (fall 2008) ‘Art and Religion’. Journal of Aesthetic
Education. 42 (3), p.2.
[02] Sontag, S. (1978) On Photography.
Farrar, Straus and Giroux.
[03] Jung, C.G. (1999) Jung on Death and Immortality. Princeton
University Press, p. 132.
Wednesday, February 10, 2016
Wednesday, December 2, 2015
Tuesday, December 1, 2015
f-stop magazine #74 (Telling Stories)
Four photographs from "Constructed Narratives,
Imagined Realities" featured in f-stop photography magazine issue #74 Dec
2015-Jan 2016 (Telling Stories).
Saturday, November 21, 2015
Sunday, September 13, 2015
Photometria 2015 (Thessaloniki)
“Faith”
group show at “OKTO” photogallery (Thessaloniki, Mitropoleos 125).
Private
view 15 Sep 2015 (8 pm). Duration: 16 Sep-25 Sep (Mon-Fri, 10am-8pm).
Wednesday, May 27, 2015
Photometria Festival 2015 (Faith)
An exhibition of 25 photos based on the theme of "Faith". Held at
the Municipal Cultural Multiplex (old slaughterhouses) of Ioannina from 27 May
to 7 June 2015. The exhibition will travel to eleven Greek cities.
Photometria Festival is a
cross-cultural meeting point bringing together ideas, traditions, worldviews
and expressive media from all over the world. It includes a network of several
cities across Greece and four European countries.
Wednesday, March 4, 2015
Sunday, February 8, 2015
Sunday, February 1, 2015
Tuesday, December 23, 2014
Θεσσαλονίκη: Φωτογραφίζω την πόλη μου που αλλάζει
Photography
exhibition at Alaca Imaret Mosque (Kassandrou 91-93, Thessaloniki, 20-24 Dec
2014)
http://www.photocontest-thessaloniki2014.com/gallery
http://www.photocontest-thessaloniki2014.com/gallery
Thursday, September 4, 2014
Photometria Festival στη Θεσσαλονίκη και άλλες πόλεις
Η έκθεση Photometria Awards 2014 "Reflection" συνεχίζει το
ταξίδι της σε διάφορες πόλεις της Ελλάδας. 4-21 Σεπτεμβρίου θα φιλοξενηθεί στην
Θεσσαλονίκη στο Art Room
Propaganda Rollin Co Store (Ισαύρων 7).
Oι πόλεις και οι ημερομηνίες του tour είναι:
Πάργα, Villa Rossa 20 Ιουνίου - 8 Ιουλίου 2014
Πάρος, Ξενοδοχείο Αργοναύτης 12- 30 Ιουλίου 2014
Κεφαλλονιά, Saristra Festival 8-10 Αυγούστου 2014
Θεσσαλονίκη,
Art Room Propaganda Rollin Co Store 4-21.9.2014
Αθήνα,
Athens House of Photography 24.9-13.10.2014
Βόλος, Πολυχώρος Τσαλαπάτα 6-23 Νοεμβρίου 2014
Χανιά, Νεώριο Μόρο (Ιστιοπλοϊκός όμιλος Χανίων) 2-9
Δεκεμβρίου 2014
Άργος, Αψέντι καφέ 17 Δεκεμβρίου 2014 - 11 Ιανουαρίου 2015
Πάτρα, 22 Ιανουαρίου - 1 Φεβρουαρίου 2015
Μυτιλήνη, 2 - 6 Μαρτίου 2015, εκθεσιακός χώρος ΦΕΜ ,
Πιττακού 15
Πρέβεζα, 20-29 Μαρτίου 2015
Πρέβεζα, 20-29 Μαρτίου 2015
Το Saristra Festival είναι το σημαντικότερο καλλιτεχνικό γεγονός των Ιονίων Νήσων, ένα μουσικό και εικαστικό φεστιβάλ στα ερείπια του παλιού χωριού των Βλαχάτων Κεφαλλονιάς. Εκθέσεις εικαστικών τεχνών, προβολές ταινιών, σεμινάρια και διαλέξεις καθώς και δραστηριότητες για παιδιά φιλοξενούνται στα χαλάσματα των σπιτιών. http://saristrafestival.gr/ προγραμμα/παραλληλεσ-δραστηριοτητεσ/
Φωτογραφία απ'τον Πολυχώρο Τσαλαπάτα στον Βόλο
Το Εργοστάσιο Πλινθοκεραμοποιίας Ν. & Σ. Τσαλαπάτα ήταν ένα από τα μεγαλύτερα
του είδους του. Τα εργαστήρια και οι βιομηχανικοί χώροι έχουν αναστηλωθεί και
αποτελούν σήμερα σπάνιο δείγμα διασωζόμενου βιομηχανικού συγκροτήματος στον ελληνικό
χώρο.
http://www.piop.gr/MuseumNetwork/MouseioPlinthokeramopoieiasTsalapata/ToMouseio.aspx
Φωτογραφία απ'την έκθεση στη Φωτογραφική Εταιρεία Μυτιλήνης
Φωτογραφία απ'την έκθεση στη Φωτογραφική Εταιρεία Μυτιλήνης
Φωτογραφική Εταιρεία Μυτιλήνης
Πιττακού 15, 81100 Μυτιλήνη, 2251041555, photo@fem.gr
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