Three photo
collages shown in the "Curartine
/ Izolyatsiya" virtual exhibition which features artwork
created during the first wave of the COVID-19 epidemic. |
Kon Markogiannis is an experimental photographer, collage artist, existential poet, philosophical essayist, independent researcher and spiritual seeker with an interest in gnostic themes such as death, mortality, the human condition, the exploration of the psyche and the evolution of consciousness.
Wednesday, September 30, 2020
CURARTINE VIRTUAL EXHIBITION
Tuesday, September 29, 2020
FotoLimo Festival (XS edition)
Participating with three photo collages and three haiku poems in the #pandeMY -future under construction exhibition
which is part of Fotolimo cross-border photography & visual arts festival (Portbou-Cerbère
/ French-Catalan border, 25th - 27th September 2020). The main focus of the
festival is the issue of borders in the current context of global crisis.https://fotolimo.com/en/start/https://www.instagram.com/p/CCilPsojbxH/ |
Thursday, September 10, 2020
ANTIBODIES (SERIES OF PHOTO COLLAGES)
“The body is the instrument of our hold on the world.”
(Simone de
Beauvoir, The Second Sex)
Antibodies is a
series of surreal photo collages created by using images from
fashion, lifestyle and erotic magazines. Utilizing techniques such
as fragmentation, obliteration, overlapping and juxtaposition the artwork
deconstructs the human body and challenges established notions of beauty,
identity and sexuality. Antibodies also tackles issues
such as the supposed indexicality and "truthfulness" of the
photographic medium and raises questions regarding ownership, copyright, and
the appropriation and (ab)use of imagery. In this overtly hyper-technological,
post-photographic age we live in the boundaries between truth and illusion are
questionable. Images can be downloaded, appropriated and manipulated to a point
where authorship is lost and the viewer is not sure what he or she is looking
at. Ultimately the work is a
critique of the unhealthy obsession with bodily looks and a reaction against
our constant bombardment with oversexualized, quasi-pornographic images by the
media and the entertainment industry. It seems as if moral and aesthetic
standards have lost their significance in an era of consumerist numbness,
artificial pleasure, objectification and instant gratification.
Part 1: https://www.konmark.com/gallery_765849.html
Part 2: https://www.konmark.com/gallery_761868.html |